Disquera: Nacional Records
Her last album established Ana Tijoux as Latin hip-hop's favorite b-girl. So she made a follow-up that sounds ... almost nothing like it. Gone are 1977's fuzzy, old-school beats and jazzy flow. Instead, we get a strange juxtaposition of stark, almost militaristic marches and, beginning with the Curumin-featuring "El Rey Solo," trip-hoppy dream worlds. And we get an Ana capable of both feathery coos (not to mention singing!) and steel-toed political critique (see "Shock," which takes up the Chilean education reform protests). La Bala (the bullet) is as stunning and piercing as its namesake.
Música ilimitada en cualquier lugar. Millones de canciones y todos los géneros.
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